Irish And American Fiddle Tunes For Harmonica
By Glenn Weiser- Reviews

Fiddle Tunes Cover.gif (19450 bytes) The following reviews of my book, Irish and American Fiddle Tunes For Harmonica (Centerstream), originally appeared in the  Irish Music and Dirty Linen magazines.- GW

See also:
"In some parts of Ireland, around Dundalk, the mouth organ was called the French Fiddle, French in this case not being Gallic, but rather strange and foreign. The same idea applies even to poultry: if you check the Gaelic title for Turkey in the Straw in O'Neill's, the big bronzer is called a Cearc Francach. Far from a turkey this present book is: there's a sense of sheer delight and a little mischief abounding, and even from his photo I'd say that if you were to meet Mr. Weiser in a session, you could cancel the couple of days thereafter.
   "What comes through immediately is that he knows and loves the instrument and the material, which has a good selection of reels, jigs, hornpipes and waltzes, plus some exercises for harmonicas and a note to rhythm guitarists. There's a fair wallop of musical theory as well, with things like modes explained: how well I'm not sure since the only test is to find someone who doesn't know and see how they find it. The same goes for techniques like tonguing. Modestly must I say I know this already.
    "There are 23 tracks on the accompanying CD, which shows a fine playing style. One tune title though merits inquiry: Glenn says the tune Pop Goes the Weasel comes from Virginia. I'd always though the weasel was from the Cockney rhyming-slang Weasel and Stoat, meaning coat, and what it was about was someone who had to pawn the overcoat. If anyone can shed any light on this, shed it! 
    "Our American friends may think that Benjamin Franklin invented the Harmonica: what he did was organise a set of drinking glasses, which you rubbed with a wet finger and they howled. Mozart even wrote a little piece of music for this thing.
The mouthie was invented in 1821 by a German clock winder Christian Friedrich Ludwig Buschman who was only 16 years old.It was patented in 1822; (the principle could have been borrowed from China).
   "The foregoing is taken from the lovely little footnotes, illustrations and background pieces on the tunes, which make the book something. worth having and not lending. For instance, did you know that the most expensive har- monica ever made was in solid gold, except for the reeds, which must be brass, and it was given to Pope Pius VI. Obviously the name Hohner features prominently in the book: their 48-chord harmonica is 23 inches long and the biggest in the world with 384 reeds. And one more fact-totem: the breakdown on those who purchase the instrument is 70% for men and 30% for women."

                                                                      -John Brophy for Irish Music, March 1999


"In the early 1980s, Glenn Weiser, an Albany, New York, based musician and teacher, experienced a guitarist’s nightmare: a problem with his hand forced him to temporarily stop playing. However, instead of setting aside his passion for fiddle tunes, he just transferred it to another instrument. And for harmonica players who have come along since that time, Weiser’s
decision to take up the “tin sandwich” in earnest was a very fortunate accident of history. Weiser has since written instructional books and columns focusing on playing tunes on the harmonica.
   " This book features 57 reels, 27 jigs, 12 hornpipes and a half-dozen waltzes, most of which are designed for a 10-hole diatonic harmonica (although some require a 12-hole diatonic). There are plenty of standard Celtic and American tunes here, which will allow harmonica players to find
their way around many sessions and a few contradances, to boot. All of these tunes are in standard notation, along with harmonica notation and guitar chords. Even if you cannot read music, if you can count and you can figure out the difference between inhaling and exhaling, you can learn how to play these tunes. Weiser provides some instruction in standard rhythms
as well, such as the reel, jig, and waltz.
    "Weiser’s abilities as a teacher are evident in the publication as he presents close to 20 pages of instruction before he gets to the tunes, and then offers plenty of little tips throughout, and practice scales at the end of, the book. He gives some advice on playing back-up as well.
   " The accompanying CD, which features Weiser alone on the harmonica, presents 22 of the tunes. On most of them, he plays in two tempos, first slowly and then up to speed. Weiser also illustrates some of the harmonica back-up styles on the CD. As an added bonus, the margins of some of the pages sport quirky and delightful bits of harmonica trivia and old advertisements on
the social (and romantic) benefits of learning how to play such an enchanting little instrument. All together, this is an entertaining and useful package."
                                                                             - Ivan Emke for Dirty Linen, July 1999

Email: banjoandguitar100@yahoo.com
  

Home  |  Celtic Fingerstyle Guitar Books  |  Harmonica Books  |  Music Lessons  | CDs
 Harmonica Main  |  Celtic Main  |  Blues Main  |  Fingerstyle Main  |  Woodstock 69  |  Reviews 
Free Celtic Guitar Arrangements  |  Free Celtic Harmonica Arrangements  |  Online Celtic Tunebook

Writings  | MySpace Page  |  Discographies  |  To Order Books  |  Contact  |  Links  | Translate

 

FiddleNet
Member of FiddleNet